Horoscope: The Death of Mozart
“When I am completely alone…completely myself, entirely alone…my ideas flow best and most abundantly. Whence and how these come I know not nor can I force them…Nor do I hear in my imagination the parts successively, but I hear them gleich alles zusammen (at the same time).”
Wolfgang Amadeus Mozart
(Born with natal chart-ruler Mercury, planet of the senses, in Aquarius, sign of the new, the novel, the original, the genius.)
Here is a horoscope of The Death of Wolfgang Amadeus Mozart on December 5, 1791 at 1:00 am in Vienna, Austria which occurred during an Hour of Saturn, karmic planet of endings, restriction, and loss. Chart-ruler Mercury @19Sag09 is approached by the Sun @12Sag52 and both embrace Mozart’s very close natal Moon-Pluto conjunction (17Sag45/47) in his natal 4th house of Endings and The Drain. In life, a Moon-Pluto conjunction shows deep passions and emotions, idealism, a domestic tyrant, and a bottomless fount of creativity.
The critical 29th-degree Death (Ascendant) when rounded up is apt: ’30 Virgo’ = “Having an Urgent Task to Complete, a Man Doesn’t Look to Any Distractions” (Solar Fire Astrology Software).
A Fire Grand Trine of Creativity and…
Sun (vitality) and Mercury (his natal chart-ruler), a 7th house Moon-Saturn conjunction in Mars-ruled Aries (plus, South Node of the Moon @10Ari58 stationary suggests major separation from the lunar physical body), and an 11th house Uranus @18Leo56 Rx form a Fire Grand Trine indicating that his health was greatly affected by an overindulgent lifestyle, personal excesses, lack of rest, and workaholism which perhaps is to be expected from one gifted with musical genius and an unfortunate tendency to overspend all earnings as well as to waste vital resources (health).
If you enlarge the chart image you’ll find several more details scribbled thereupon including physical indicators for various planets and planetary blends as given by Reinhold Ebertin (The Combination of Stellar Influences).
Moon-Saturn = bladder infection (which may have been an inherited tendency–he had suffered from it in the past), Venus at a critical, anxious 29th degree (as is the Ascendant, the death itself) with Venus denoting bladder and veins along with Venus-Neptune (sexual disease; weakened bladder/kidneys); lead planet in a Locomotive pattern is Uranus (pituitary gland); Mars @17Vir48, sign of the bowels = infection and/or assault, Mars inconjunct Pluto = depleted energy from taking on too much work than can safely be done (“so much to do, so little time”), financial stress, poor nutrition, and self-persecution from a feeling of guilt that he had to work more than others in order to prove himself.
Creepy Pluto @20AQ01 conjoins Mozart’s natal Vertex, a fated point of encounter often involved or triggered at times of death, plus, mythological Pluto is the ‘god of Hades’ and astrologically rules the Scorpionic 8th house of Death and Transformation.
In the chart, the Saturn-Pluto midpoint (calcification) @16Pis04 in the 6th house of Health is opposed by 12th house Mars which denotes a fight for one’s existence; the midpoints of Moon-Mars (thyroid gland) and Mars-Saturn (bone marrow inflammation; organ atrophy; death) at Midheaven along with Mozart’s natal Mars @00Can19 (00Cancer, a Cardinal World Point of Fame and Prominence) are very descriptive and Mars (or Saturn, Uranus, Neptune, Pluto–sometimes Jupiter and often the Moon as a timer) is typically Angular in cases of death. Even transit Mars in Virgo had recently conjoined his natal Ascendant (physical body) possibly aggravating chronic health conditions and/or bringing infection (see Fire Grand Trine, above).
Mozart’s death (just shy of his 36th birthday which points toward Jupiter, planet of liver and gall) occurred under the rays of a rising 10 North Solar Eclipse @4Lib45 and is the Pre-Natal Eclipse of his death. Curiously, 10N is also his natal Pre-Natal Eclipse (13Vir19) which conjoins natal Ascendant (12Vir41) along with his natal North Node (NN) @11Vir27 rising (born January 27, 1756 8:00 pm Salzburg, Austria; Hour of Mars, chart-ruler Mercury @8AQ08 opposes undermining Neptune Rx in Leo across the 5/11 axis of Creative Pursuits and Self-Will).
Creating stress, natal Uranus @13Pis11 conjoins natal South Node (SN, a Saturnian point of separation) and opposes and thus triggers his Pre-Natal Solar Eclipse in the 10N Saros Series which contains themes of: communication, feeling tired and drained, frustrating or inhibiting events by way of paperwork, news, or a young person; taking it easy and working through things one at a time (Brady’s Predictive Astrology).
As you know, Mozart did not take it easy and was furiously working on a Requiem Mass (‘paperwork’) for “a mysterious stranger” — with the foreboding presentiment that the mass was for his own death, as the legend goes. Perhaps the recent opposition from transit Mars in Virgo to Mozart’s natal Uranus can be noted since it can indicate a dangerous encounter with a stranger!
Though Grand Trines are usually considered beneficial they may also bestow a childish view of the world and a sense of being able to do whatever one wants whenever one wants. Overindulgence may come under this category and if you’re familiar with the life of Freemason Mozart you know how closely this description tallies with his lifestyle and attitude and some may believe that it was only his God-given talent for composing, playing, and conducting music that lifted him up to the heights of creative heaven from which he reigns today.
Although causes such as poisoned pork chops and Freemasonic involvement due to his revealing certain Masonic mysteries in his opera The Magic Flute have been theorized through the years, it would seem that Mozart’s death horoscope points toward chronic medical conditions, taking very poor care of himself, overwork to the point of complete exhaustion, infection, and possibly an inherited health condition or organic weakness, along with extreme anxiety over financial lack and the completing of an important task as complicit culprits in his demise.
These conditions might certainly be described in our modern terms as the gathering of a ‘perfect storm’ of unfortunate circumstances and draining events for this musical genius who too-quickly burned himself out.